A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.
No demon is safe as Bogdan Boner, the alcohol-loving, self-taught exorcist-for-hire, returns with more inventive, obscene and deadly deeds.
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