A tragic love story set in a mountain village in the Showa era, waiting for a fiancé who died in the war, but it is more than that. It breaks through the existing concept of a film with a beginning, middle, and end, and like Fellini or Godard... Hara Masato's cosmic film philosophy on the theme of "human history and media" unfolds like a symphony.
Naruse Uta is a "unique" 13 year old child. She possessed the talent to read sheet music even before she could speak, but has now come to the point where she hates playing the piano. Her father was also a piano virtuoso, but mysteriously disappeared from her life at a young age. Because of her father's disappearance Uta's mother had to move out of their posh home and into a far modest working class neighborhood. In this working class neighborhood there is a local grocer. The grocer's son Kikuna Oto happens to be a budding musician, but lacks the drive to truly succeed. That is until Uta Naruse comes into his life...
The Kitao family is coping with the loss of the eldest daughter, Chizuko, who was killed in a freak accident the year prior. When the other daughter Mika is suddenly in a dangerous situation, Chizuko returns as a ghost to save her; reunited with her sister, Mika begins spending time with Chizuko again.
A collection of magical tales based upon the actual dreams of director Akira Kurosawa.
Yoshitaka Zushi (頭師佳孝, born March 19, 1955 in Osaka, Japan) was discovered when he was eight years old by one of Akira Kurosawa's partners and debuted in the role of young Toshio in Kaneto Shindô's "Haha" (Mother, 1963). Since then he has appeared first and foremost in Kurosawa's pictures, beginning with "Akahige" (Red Beard, 1965). His most outstanding role is undeniably that of Rokkuchan, the insane young man who drives a trolley through the slums, in the wonderful "Dodesukaden" (1970).
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