Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.
The cast and crew of all four Psycho films recall their time working on the influential horror series, and modern masters of horror reminisce on what the movies stirred in them.
24 Hour Psycho is the title of an art installation created by artist Douglas Gordon in 1993. The work consists entirely of an appropriation of Alfred Hitchcock's 1960 Psycho slowed down to approximately two frames a second, rather than the usual 24. As a result it lasts for exactly 24 hours, rather than the original 109 minutes. The film was an important work in Gordon's early career, and is said to introduce themes common to his work, such as "recognition and repetition, time and memory, complicity and duplicity, authorship and authenticity, darkness and light."
The story of the hijacking of the Itallian liner Achille Lauro by four militants of the Palestine Liberation Front, in 1985, who demanded the release of several Palestinians incarcerated in Israeli prisoners. On their hands, lies the fate of several passengers, many Americans included and among them, Jewish American businessman Leon Klinghoffer.
Manager of a large metropolitan airport tries to deal with the stress of his job, and the various characters that work for him.
Ed Okin used to have a boring life. He used to have trouble getting to sleep. Then one night, he met Diana. Now, Ed's having trouble staying alive.
Vera June Miles (born August 23, 1929) is an American actress. Born in Boise City, Oklahoma, Vera Miles attended school in Pratt, Kansas and Wichita, Kansas. The patrician beauty of Miss Miles won her the title of "Miss Kansas" in 1948, leading soon to small roles in Hollywood films and television series. Fame came to the forthright, spirited Miles when she attracted the attention of two master directors, Alfred Hitchcock and John Ford. Ford cast her in the classic western The Searchers (1956) and Hitchcock, who put her under personal contract and hailed her as his "new Grace Kelly", paired her with the great Henry Fonda in The Wrong Man (1956). Hitchcock cast Miles in the potentially star-making role of Judy Barton in Vertigo (1958), but Miles withdrew from the film when she became pregnant. Hitchcock gave Miles a supporting role in another masterpiece Psycho (1960), as did Ford when he cast her opposite John Wayne and James Stewart in The Man Who Shot Liberty Valance (1962), She also starred in such films as Beau James (1957) opposite Bob Hope, The FBI Story (1959) opposite Stewart, Back Street (1961) opposite Susan Hayward and John Gavin and Sergeant Ryker (1968) opposite Lee Marvin, as well as showing her consistently remarkable and versatile talent on dozens of popular television movies and series including The Alfred Hitchcock Hour (1962), Twilight Zone (1959), The Outer Limits (1963), The Fugitive (1963), My Three Sons (1960), Bonanza (1959), "Columbo" and Murder, She Wrote (1984). In 1983, she reprised her role as "Lila Crane" in the film sequel Psycho II (1983), starring Anthony Perkins. Although, too often, the stunningly beautiful Miles' gifts were underutilized, before her retirement in 1995, hers was a most intriguing and enduring Hollywood career.
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