With his father's memory waning, a struggling forester must confront the troubling reality about his livelihood and his family's future.
The story is about a plumber, who is called Good man from the bones. He is not afraid of any work, he manages all the work he gets. Wittily responds to every situation that befalls him.
A young man is enchanted by a beautiful girl and does everything he can to impress her. However, he doesn't understand that she is just making a fool of him for fun.
Tomáš Vorl's short film captures a few minutes of inner monologue in the body of Eva Holubová, who returns from shopping and lovingly thinks about her husband Láďa, how they met, how they got together, how they were expecting a child... and Láďa was, is and will always be the best... A cheerful, original and in its own way instructive spectacle.
A bitter comedic-drama centering around Tomas, a former promising young director who must cope with a commerce driven world he no longer wants to participate in.
Quite a few years have passed since November 1989. Czechoslovakia has been divided up and, in the Czech Republic, Václav Klaus’s right-wing government is in power. Karel Vachek follows on from his film New Hyperion, thus continuing his series of comprehensive film documentaries in which he maps out Czech society and its real and imagined elites in his own unique way.
This film is about life of a family, which lived in Prague since since 1968 to 1980. Father of the family comes from Ukraine and so every year someone from Ukraine to visit this family and to buy something more better than is in Ukraine. As the times go by, the friens of family live in Austria. And now for change the family visit "a better life" in west Europe and they found out how it is to be something second-rate.
Vladimír Michálek chose an unconventional adaptation of Franz Kafka's novel for his feature debut. Artistically reminiscent of the classic films of Karel Zeman, the director reinterpreted this dark story of a man vainly seeking a place in a rigidly ordered society by changing the desperate conclusion into a happy end. The film provided Czech comedian Jirí Lábus with a new kind of role: that of the despotic uncle of a main hero Karel Rossman (Martin Dejdar).
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