Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
Thomas Philip Pollock (April 10, 1943 – August 1, 2020) was an American film producer and studio executive. He started his career as an entertainment lawyer, before transitioning to a studio executive and film producer. He was the chairman of the board of trustees of the American Film Institute, an adjunct professor of film at the University of California, Santa Barbara, a trustee of the Los Angeles Music Center and a member of the California Bar Association. He was also co-owner of The Montecito Picture Company. Description above from the Wikipedia article Tom Pollock, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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