Set between the parallel worlds of contemporary London and the futuristic faith dominated metropolis of Meanwhile City, Franklyn weaves a tale of four souls, whose lives are intertwined by fate, romance and tragedy. As these worlds collide, a single bullet determines the destiny of these four characters.
Chronicles the 2005 tour and production for the Rhapsody of Fire albums "Symphony of Enchanted Lands, II" and "Triumph or Agony". Includes recordings from the band's first tour through US and Canada as well as their performance at the Eartshaker Fest 2005.
A 5-part documentary of the history of Superman in the movies. • Origin - Superman in the media and the challenges the Salkinds faced • Vision - Creating the right script, Choosing the right director and casting the right actors • Ascent - The production and launch of a new kind of fantasy film • Crisis - Complications and conflicts between the creative forces behind Superman II • Redemption - Criticisms and burnout of Superman III and Superman IV: The Quest for Peace
Young American Catherine Mulligan follows her love to Iran and converts to Islam. After being raped she is sentenced to death by stoning.
'A Guest of life' is inspired by the journey of Alexander Csoma de Koros. The eccentric 19th century set out from his native Transylvania to central Asia on foot, only taking his knowledge of 13 dead and spoken languages with him. He wanted to find the ancestors of the Hungarians, but once reaching Tibet he stayed there, compiling an English-Tibetan dictionary, translating and abridging Buddhist teachings and literature, including the Book of the Dead. The film however is not a biopic, but a collection of impressions of Tibet, recorded on an 8mm camera, overlaid with excerpts from Csoma's diary and translations, spoken on the many languages familiar to Csoma. Intercut with the documentary-style footage are animated segments, which tell Transylvanian folktales that have been weaved around the legendary figure of Csoma.
Mike is a composer who dreams of creating symphonies but instead, dashes off jingles for TV commercials -- all the while pining over ex-girlfriend Helen. But Mike's life takes several unexpected turns when he meets Sara. After the two depart for an idyllic vacation together, Mike locates his mother (Susannah York), who, 35 years previous, had left his father. Writer-director Kevin W. Smith's feature-film directorial debut.
Rachel discovers she is pregnant. Just as she is about to break the news to her stockbroker boyfriend Bill, he dumps her. Heartbroken and angry, Rachel takes Bill's cherished sports car, clears out their joint bank account and heads off to the country and to her dysfunctional family's farmhouse. By trying to sort out her own family's problems Rachel hopes to come to terms with her own predicament. But Bill discovers her whereabouts and is on the warpath.
A princess from a Nordic European country is obligated to marry the boy her family chose. She escapes and discovers love in the arms of a beautiful swimming teacher.
This movie deals with the problems suffered by many smaller girls' boarding schools during the early 1990s recession, and makes use of metaphor and analogy in its critique of the John Major government of the day.
Greg Sanderson is helping his wife, Jan, to recover from a nervous breakdown and revive their strained marriage. Their privacy is interrupted by the arrival of Greg's stunning and mysterious sister, Laura. Jan's paranoia deepens as she suspects that Greg's and her sister's relationship is too close. In her desperation, she confides her fears to the landlord but his weird reaction only creates more confusion.
Susannah York (9 January 1939 – 15 January 2011) was a British film, stage and television actress. She was awarded a BAFTA as Best Supporting Actress for They Shoot Horses, Don't They? (1969) and was nominated for an Oscar and Golden Globe for the same film. She won best actress for Images at the 1972 Cannes Film Festival. In 1991 she was appointed an Officier de l'Ordre des Arts et des Lettres. Her appearances in various hit films of the 1960s formed the basis of her international reputation,and an obituary in The Telegraph characterised her as "the blue-eyed English rose with the china-white skin and cupid lips who epitomised the sensuality of the swinging Sixties". Description above from the Wikipedia article Susannah York, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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