In Japan, a Filipina migrant is chosen by a haunted dress to be its new owner and is manipulated into hunting down the murderer of the previous owner.
Michiko used to work as a live-in part-timer at an izakaya, but suddenly lost her job and her house at the same time due to COVID-19 pandemic. There are no new jobs because of the COVID-19 pandemic, and diners and internet cafes are closed. Michiko is at her wits' end, but there in front of her is a bus stop that stands slightly brightly in the darkness, illuminated only by the streetlights.
A man gets involved with two mystic sisters who happened to save him from dying ashore.
Middle-aged farmer Noda Masao (Daichi Yasuo) is a good, honest man, but his attempts for marriage have all met with failure. Through a friend, Masao meets Liberty (Ruby Moreno), a Filipino woman working in Japan. When they decide to get married, Masao borrows money from his Agricultural Association and travels to the Philippines for the wedding - only to discover that it was all a scam. Stranded in Manila with no money, Masao ends up staying to work. One day he meets a beautiful farmer's daughter, Christina (Alice Dixson), reawakening not only his chances for love, but also his love for farming.
A story about a torera (a live sex performer) who finds herself trapped in an anomalous game of association between sex, life and death, and its political equivalent of sleaze, subservicence and power in drug-addled world. Every night, she sets off to join her fellow toreras for a midnight show of fun and kitschy live sex act. In one tuning point of her life, she bumps into a long-lost friend, Myrna, a former torera, who seems to have a lost grip on life. Curacha makes it her personal mission to save Myrna as she does some sou-searching herself. In the end, we see traces of hope glimmering somewhere, somehow, in a manner that escapes the restless Curacha.
Restaurant owner Margot often reproaches her dentist husband Leo for his irresponsible and disorganized ways, reaching a point where Margot finds no reason for them to stay together. Margot wants out of their marriage and their temporary separation becomes difficult for their two kids Patricia and Pauline but a delight to Mrs. Perez, Margot’s meddling mother in-law who never liked her. Their estrangement eventually ends in annulment, a trying process for Margot who has to derogate Leo’s character in court to win her case. But after all, Leo still loves Margot despite her hurtful testimonies.
Three women who come from different backgrounds work hard to earn a living in Manila, but realize that they are victims of sexual exploitations. A television producer is forced to have sex with her boss in exchange for an opportunity to produce a new programme. That almost costs her marriage. A temporary teacher and her colleagues are sent by their principal to give a dance performance at a ministry officer's birthday party. They are gang-raped or almost gang-raped by the officer and his guests. A bus ticket seller accidentally kills one of the men who tries to gang-rape her, but all the bus passengers who witness the scene refuse to go to court to help her defending the charge of murder. Although the three women do not know each other, they end up taking the same bus leaving Manila and heading to the rural area.
Joseph is a young doctor who returned to his hometown in the Mountain Province to bury his father, an Ifugao chieftain, who was killed during a tribal dispute. While there, he discovers his rich heritage and acquires pride in his being an Ifugao. Though the lure of a career in America remains strong, he is unable to resist the urge to help his village, which has resisted modern medicine and is now in the midst of a pneumonia epidemic and a civil war.
The members of the Ameya family are all scammers. After their election scheme goes bust in their hometown, they move from Shikoku to Tokyo and resume their fraudulent activities. Everything carries on smoothly until the eldest and the fourth sons' modus operandi go awry, the mother's lover runs off with another woman, and disasters strike one after another. This film is a collaboration between Yoichi Sai and Goro Kishitani following "All Under the Moon." The family business of the Ameya family is defrauding people. The matriarch, who keeps getting married and divorced, has five children with different fathers. The Ameya family chases after fortune and leaves a trail of trouble on their path.
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