The year 1968 approaches. Bubbling underneath festive spirits are quiet anticipations of a major escalation of conflict, alongside exciting dreams of a brighter future...that seems so close and yet somehow far away. Tư Chung, tasked with overseeing the joint offensive on supreme headquarters in Saigon at the first moment of the lunar year, prepares himself for the most beautiful and painful of hopes. The final part of a series based on a real-life organization involved in intelligence activities in South Vietnam before 1975.
After the dangerous offensive launched on the embassy office in Saigon, Tư Chung and his comrades have to find ways to adapt to rising suspicions from the CIA advisors, as well as dealing with violent repercussions involving someone very dear to him. The third part of a series based on a real-life organization involved in intelligence activities in South Vietnam before 1975.
To keep up with his public guise, Tư Chung considers marriage with his "girlfriend" and tries to flatter some trust out of the CIA advisors who've been eyeing the pair, all the while following new orders to plan and launch an important offensive. The second part of a series based on a real-life organization involved in intelligence activities in South Vietnam before 1975.
Posing as a privileged man working for his wealthy industrialist uncle, Commander of the Saigon Rangers Tư Chung prepares with his comrades for a secret meeting with a coming Vietcong officer, alias "K9". The first part of a series based on a real-life organization involved in intelligence activities in South Vietnam before 1975.
One of the three collaborated movies by Trinh Cong Son (songwriter), Hong Sen (director), and Nguyen Quang Sang (novelist). The other two are "Mùa Gió Chướng" and "Cánh Đồng Hoang".
Robert Hải (b. Trần Hữu Hải, Hải Phòng province, 1940 - September 26, 2000) was an actor born to French and Italian parents, famous for playing foreign villains in the early period of Vietnamese cinema. He was remembered for his muscular, Western looks and his enthusiasm to participate in the Vietnamese film industry during its most difficult days, regardless of the role.
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