Carolina travels from Montevideo to Buenos Aires to take some time off from her relationship and, seizing her stay, she visits her deceased grandmother's house to see what she can recover among her belongings. In one of the books she finds, she discovers that she corresponded with a man named Pablo.
In his new cinematic adventure, Raúl Perrone makes a new incursion into the Japanese out of Ituzaingó in order to shape the variations of a story that revolves around a woman who cuts dead people’s hair, a samurai with an intolerable mission, a nosy burglar, a feudal lord on the verge of insanity and a giant metal fish. The film is freely inspired in the original version of Rashomon –written by Ryūnosuke Akutagawa– and, as usual in his filmography since P3ND3JO5 (2013), Perrone blends different elements from classical film; in this case, visible ghosts from Kurosawa’s cinema and certain aspects of Japan’s traditional culture melt with nightmarish distortions and machinistical irruptions, typical of a future that may never come. “The avant-garde is in the past” he once said in an interview. In his reimagining of film history, Perrone again finds an inexhaustible field of expression.
A man steals his wife's diamond ring and sells it to buy a pinball. Three friends travel to the coast to buy a pinball but are scammed and receive unexpected help. A woman accidentally kills her lover, disposes of his body, and later learns that he might have diamonds on top of him. Three absurd stories of love and crime around the popular machines.
He was born in Buenos Aires. He is a journalist and filmmaker, as well as a photographer and amateur cartoonist. He studied journalism at the Universidad del Salvador and directing at the Universidad del Cine de Buenos Aires. "The Dog's Dream", "Low Tide" and "What We Have", the documentary feature film "Amasekenalo", in addition to the horror medium-length film "Las Amigas" and some thirty short films and video clips. , most of them filmed in Super 8.
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