While creating SHE IS CONANN, Bertrand Mandico also filmed two short films simultaneously to create an entire "Barbarian Cycle" that brings you deeper into the world that Mandico has created. Presented in this program are: Rainer, A Vicious Dog in a Skull Valley (26min); Apocalypse After (35min); and We Barbarians (27min).
We see a succession of scattered glam images: beat-up figures on lucid papers and dreamlike landscapes, until the (apelike) apparition of a model and her photographer. Together, they will play martyr and demiurge. They will attempt to achieve grace in a world of moving surfaces.
During his acceptance speech for a lifetime achievement award, Nicolas Chauvin – a farmer-soldier, a veteran of the Revolutionary Army and the Napoleonic Wars, “father” of the chauvinism that bears his name – embarks on a monologue and recounts his life story. At the bend of a road, a spectral encounter shocks his (non-)existence.
A man lies on the ground, stabbed. Going backwards (“à rebours”) we will find out what happened shortly before.
An abandoned seaside resort. The shooting for a fantasy film about the end of an era wraps up. Two women, both members of the film crew, one an actrice, the other a director, Apocalypse and Joy, are on the verge of concluding their love affair.
Four seasons to tell the fluctuating moods and mores of a small community that shares its daily chores and life experiences in the military base of Fort Buchanan. In this imagined (perhaps dreamed?) location, peculiar habits respond to the needs of a peculiar environment. Roger, a fragile gay man, and his female companions, trying to cope with the absence of their husbands, go through their own brand of challenges for survival, with their own form of outdoor camaraderie, thought-occupying chat and DIY activities. Roger has a tough daughter who runs him ragged, but he has buddies willing to help: Justine, Denise, Pamela and Claudia-Joy.
1967-1976. As one of history's greatest fashion designers entered a decade of freedom, neither came out of it in one piece.
The French Trilogy showcases a series of 62 photographs taken by Philippe Terrier-Hermann with 25 actors in 6 French regions echoing his previous project, The American Tetralogy. Questioning the relationship between cinema, landscapes and representations, this project features a song by Edward Barrow and was visible in public space in France during the summer of 2013, through a distribution system borrowing from advertising strategies.
The dawn of the 20th century: L’Apollonide, a luxurious and traditional brothel in Paris, is living its last days. In this closed world, where some men fall in love and others become viciously harmful, the women share their secrets, their fears, their joys and their pains.
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