Set to the music of popular hit songs from the 1980s. A beautiful coastal village, present day Italy. After a whirlwind romance, Maddie is preparing to marry gorgeous Italian Raf, and has invited her sister Taylor to the wedding. Unbeknownst to Maddie, however, Raf is Taylor's ex-holiday flame, and the love of her life...
In the summer of 1968, a group of people assembled in Great Barrington, Massachusetts. They were making a film of John Barth's 1958 novel The End of the Road.
When a prostitute is found dead in a Los Angeles skyscraper occupied by a large Japanese corporation, detectives John Connor and Web Smith are called in to investigate. Although Connor has previous experience working in Japan, cultural differences make their progress difficult until a security disc showing the murder turns up. Close scrutiny proves the disc has been doctored, and the detectives realize they're dealing with a cover-up as well.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
After leaving Washington D.C. hospital, plastic surgeon Ben Stone heads for California, where a lucrative practice in Beverly Hills awaits. After a car accident, he's sentenced to perform as the community's general practitioner.
Hard-edged cop John Kimble gets more than he bargained for when he goes undercover as a kindergarten teacher to get the goods on a brutal drug lord while at the same time protecting the man's young son. Pitted against a class of boisterous moppets whose antics try his patience and test his mettle, Kimble may have met his match … in more ways than one.
A down-and-out private eye (Treat Williams) gets too close to the wife (Virginia Madsen) of a rich man (Richard Masur) soon found dead.
When a cunning murderer vanishes into the rugged mountains of the Pacific Northwest, pursuing FBI agent Warren Stantin must exchange familiar city streets for unknown wilderness trails. Completely out of his element, Stantin is forced to enlist the aid of expert tracker Jonathan Knox. It's a turbulent yet vital relationship they must maintain in order to survive... and one that becomes increasingly desperate when Knox's girlfriend Sarah becomes the killer's latest hostage!
Michael Crawford Chapman, A.S.C. (November 21, 1935 – September 20, 2020) was an American cinematographer and film director well known for his work on many films of the American New Wave of the 1970s and in the 1980s with directors such as Martin Scorsese and Ivan Reitman. He shot more than forty feature films, over half of those with only three different directors. Description above from the Wikipedia article Michael Chapman (cinematographer), licensed under CC-BY-SA, full list of contributors on Wikipedia.
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