Five people are recruited by the Viking Society to collaborate on the first manned mission to Mars. They were chosen because of the psychological similarities they share with the five astronauts who will travel to the red planet. These volunteers therefore form a B-team of alter egos who will experience the adventure in parallel, behind closed doors on Earth.
A very jealous man, convinced that his wife is cheating on him, hires a private detective to follow her. Soon after, the detective develops a strong attraction to her target.
Cassy, 9, is obsessed, silent, angry. Recently, she lost her mother to a mysterious accident. Her turmoil clashes with that of her father, a violent man who treats women like objects. While the little girl rediscovers a kind of happiness thanks to a kind vocal instructor, the father’s behaviour grows increasingly erratic. Childhood and grieving confront some hot-button issues when sexual harassment, violence and homophobia enter the scene. Natacha Mitrani, the director’s daughter, is heartbreaking in the challenging role of Cassy.
In the future, the things we own take on more human nature, partially by design to make us feel more comfortable. Meanwhile, owners become more mechanical to one another and the things they own. This proceeds naturally from a collective thought— that everything could be replaced, there are no more ephemeral moments, everything is recorded, logged and could be called back with a snap of a finger. The idea of romance slowly fades into the memory of an older generation. This is where we find Nicole, trying figure out her current relationship and why it's not working.
Sweeping away stigma - tackling mental health issues through film. Bess Lavigne is a gifted curler who doesn't curl competitively, because of an anxiety disorder she's been afflicted with since childhood, and, who ultimately finds redemption while coaching four down-and-out women struggling with their own issues.
Y2K. With no experience nor training, Simon Boisvert embarks on a journey of writing and producing self-financed micro-budget narrative films. Nine years later, he had produced and distributed six feature films. This documentary, interspersed with various excerpts from his films and personal archive footage, recounts his journey through thick and thin, and as a laughing stock.
Diggerfilms’ response to the Horrorbid short video contest also organize by Rue Morgue Magazine and The Prop Shop. Inspired by classical short story authors such as Poe, Lovecraft and Wild, it is a very literary take on the slasher movies.
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