Basilio a pickpocket with no luck, enters a mental institution to retrieve a valuable diamond necklace that briefly passed through his hands and whose value was unable to recognize. Once inside the asylum, Basilio will try to use all the skills of his trade to overcome the threats that keep him from reaching his goal. In the end, the only escape for Basilio will be to undergo the "Torapia", an innovative experimental therapy that connects man with the beast within us all.
Each of the members of a group of hackers is willing to fight against system. Their messages and attacks are political, socially demmanding but also playful. Each of them have reasons to have moved to that virtual side, where they can be who they can't in real life. However, the sudden implication of authorities (pressed by goverment to be tougher against hackers)and of a wise and dangerous cracker will cause a turn in their crusade. Will they use the enemy's means or their ideological motivations imply a respect for law and human life?
Miguel Bardem's Christmas comedy Noche de Reyes (Twelfth Night) intercuts a variety of story lines. Ernesto Cuspineda (Joaquin Climent) is a businessman whose life comes unglued during a party. His wife learns of his affair, and his daughter is expecting a baby. There are wise men who have nefarious motives, and scam artist Santa Clauses.
Two brothers plan to steal the precious jewel of Nefertiti's eye in a famous exhibition hall, but they are not the only ones who want it. There is a scuffle in which a policeman dies and one of the robbers falls on the dead man.
In this Spanish comedy, a couple’s attempt to find a surrogate mother leads to a whirlwind of humorous situations and misunderstandings. Directed by Mariano Ozores, the film explores the unpredictable twists of family life and the lengths people go to fulfill their dreams.
Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.
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