One summer evening, three childhood friends invoke the spirit of Kandisha, a vengeful creature from a Moroccan legend. The game quickly turns into a nightmare when their loved ones begin to disappear.
Deep space, at the edge of the galaxy. The future. A new prisoner arrives on top security prison ship and psychiatric research unit Dante 01. Sole survivor of an encounter with an alien force, Saint-Georges is a man possessed by inner demons, caught up in the battle to control the monstrous power within him. It's a power that will infect the other highly dangerous occupants of Dante 01, gaolors and prisoners alike, unleashing a violent rebellion that turns this terrifying, labyrinthine world upside down. In the otherworldly hell of the ship's depths, through danger and redemption, each must journey to his very limits... each must confront his own Dragon.
An English historian travels to Morocco to work on a study of the painter Delacroix. He hears of a rare series of engravings and embarks on a search for them that takes him through the mysterious streets of the ancient medina. He becomes obsessed with the figure of a beautiful blond woman dressed in white that he sees there. but it appears that she may have died years before.
After a 10-year absence, 27-year-old Amelie returns home to suburban Paris and the decaying motorcycle-dealership/junkyard where she was raised. Her hope is that time has healed the open wound of hostility between herself and her alcoholic older brother Adrien. Amelie dusts off an ancient motorcycle, revs it up, and practices riding inside the immense sphere of metal latticework constructed by her late father. The local popularity of this stunt suggests a broader appeal plus profits, so soon the act goes on the road, where emotions spin out of control.
A girl working in a crisis center has a curious experience after receiving a call for help. Belgian actress and director Yolande Moreau has an unforgettable role here, one of her first films. A fauna of truculent characters lives this short film at once tender and joyful realized by the Quebecoise Carole Laganière during her studies in cinema in Belgium.
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