Roque Waterfall leads, at age 30, an unproductive life living off a small family inheritance that leaves him enough free time to wander around in the nights of Buenos Aires. One day he meets Hans, a German intellectual who will try to make a documentary about Roque and people like him, people who do nothing.
A vindication of what is most genuine about football in the midst of an increasingly dehumanized business.
The film tells two stories apparently very distant are slowly approaching each other. On the one hand is Babarimisa, a young man from Benin who suffers from a relentless disease for which seems to have no remedy. Desperate to save his mother, Morenike, a Yoruba priestess goes to invoke the power of the Orishas gods. Meanwhile in Argentina, Shantas is a young offender living in a marginal area tainted by the practices of Umbanda, a cult derived from African religions. None of us can even imagine the surprises that come in the destination.
Sebastián, an architect in crisis with his wife, occasionally passes through a small town. Mariela, an orphan girl, believes him to be the one sent by God for whom she has been praying and lies in town saying that he is her uncle and that he has come to take care of her. Sebastián begins to relate to Mariela and her past. The lie grows, Sebastián begins to doubt his true identity and Mariela, and the whole town, will try to prevent him from leaving.
Valeria (Manuela Pal) has changed his native Buenos Aires by Betanzos, a town of Coruña, in Spain from which his family. Eccentric, dreamy and fun, at 25 years old is in the most surreal emotional crossroads in his life: after the sudden death of her mature and attractive lover, Marcelo falls for the son of the deceased. Her friend Adela (Mary Bouzas), owner of the salon where they both work, will help clear up questions. A story about the universal desire to find their own identity, deciphering the collective love and live in a land that has nothing to envy to the boulevards of Paris.
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