A short film about the award ceremony at Berlinale '21 and then also about a snail.
Prominent film critic Tony Rayns has long been a supporter of Korean cinema. This film illustrates Rayns’ affection for Korean cinema through interviews of Korean cineastes that have a special affinity for him, including JANG Sun-woo, LEE Chang-dong and HONG Sang-soo among others.
South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.
Hong Sang-soo (born October 25, 1960) is a South Korean writer-director. He has directed 30 films as of 2023. Certain elements are commonly found in Hong's films. A typical Hong film highlights a theme of domestic realism with many of the scenes set on residential streets, cafes, hotels, schools, and in the stairwells of apartment buildings. Characters are seen walking around the city, drinking soju, and having sex. The main characters are often movie directors or actors, and scenes typically consist of a single shot, often beginning and ending with a camera zoom. The budgets for his movies average about $100,000. Hong is often spontaneous when shooting, delivering the day's scene on the morning of the shoot and frequently changing stories while on set. He rarely prepares scripts in advance. Hong's style has been compared to Eric Rohmer's, and it has even been argued that allusions to Rohmer's films appear in some films directed by Hong.
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