Mamoru Miyamoto is a book editor and his friend Masao Muraoka is a writer. Muraoka hasn't released a novel since "Aki no Riyuu." Masao has suffered from mental health issues and, because of this, his voice fails. The two men talk through written notes. It seems Mamoru believes in Masao’s talent as a writer and waits for him to write a new novel, but he also likes Masao's wife Misaki. One day, Miku, who has read Masao’s last novel “Aki no Riyuu” several times, appears in front of him. She tells him that she is so similar to the heroine of the novel and can understand his mind.
A “Cinéma, de notre temps” series episode directed by french filmmaker Philippe-Emmanuel Sorlin, originally aired 16 June 2015.
Set in a metropolis in the 21st century, this unique erotic drama depicts youth colored by sex, drugs, and violence with a touch of science fiction.
A boy, abandoned by the whole family - torn apart by obsessions, perversions and problems of every kind-start looking at everything around him through the eye of the camera, so that nothing can seem flat and keep up hope. The meeting between these two lonely souls will bring unexpected consequences.
In a hospital with a near sighted doctor, horny nurses, cosplaying patients and stiffs in the basement the only healing taking place is sexual.
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
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