For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
A curious couple, whose existence takes place where art arises along a singular metaphysical desire. They search for it through repeated and varied representations, in a setting of light where hope and desperation blend together.
A documentary on prolific underground Brazilian filmmaker Rogério Sganzerla.
Movie director gets crazy while shooting a film, and goes to a mental institution. There, he leads a revolt, kidnapping a group of Human Rights activists and demanding a camera as ransom.
In a Rio de Janeiro after the catastrophe, only the hills were immune to a flood that left the asphalt submerged. While the Navy is rationing provisions and some are sacrificing themselves to avoid starvation, a diver goes to the bottom of the sea and finds a submerged civilization there.
Daniel is a taxi driver who’s married to Adalgisa. When she starts acting in low-budget movies, he forbids her from seeing their son, Joaquim. For more than a decade, Daniel nurtures a feeling of revenge for his ex-wife, which gains strength when their now adult son finds his mother in full professional decay.
Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.
Loosely based on an Oswald de Andrade screenplay, "Perigo Negro" is a segment of anthology film "Oswaldianas" which deals with a uprising soccer player who has his career spoiled by a unscrupulous gambler
In Rio de Janeiro, after an altercation with his father and mother, a young man named Bebeto kills his family and goes to a movie theater, where he watches four weird vignettes.
Guaracy Rodrigues, known as Guará (Belo Horizonte, 1943 — Rio de Janeiro, February 21, 2006) was a Brazilian actor, art director and film director. Known for his small roles and cameos throughout his more than 40 years as an actor, he is considered one of the most important figures in the history of marginal cinema.
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