A documentary on the mysterious and influential pianist.
Part III in the series "Glenn Gould Plays Bach" spotlights Gould recording Bach's "Goldberg Variations" in a sound studio. In a brief introduction, he reminisces about his first recording of the pieces and explains why he wanted to record them again now, a quarter of a century later. It was to be his last recording of the "Goldberg Variations" and perhaps the last time he played the work: Glenn Gould died the year after the recording was made.
A retrospective of the life and work of Glenn Gould, Hereafter synthesizes an incredible wealth of archival material from various sources.
A collection of recollections and opinions of and about Glenn Gould, interspersed with excerpts of archive footage of the great Canadian pianist speaking and playing.
Academician and piano expert David Dubal narrates this absorbing documentary chronicling the instrument's history and featuring some of the 20th century's finest pianists via archival film clips. Among the keyboard virtuosos are Vladimir Horowitz, Claudio Arrau, Van Cliburn and Glenn Gould. Extras include Arrau's 1983 performance of Ludwig van Beethoven's Piano Concerto no. 4, accompanied by the Philadelphia Orchestra under maestro Riccardo Muti.
Glenn Gould: A Portrait is a biography of pianist and "explorer of sounds" Glenn Gould. The 105-minute program -- a montage of interviews, photographs, recording sessions, and concerts -- depicts the life and times of this late musician. Highlights of the film include pictures and scenes from Gould's life in Canada, as well as interviews with Geoffrey Payzant, broadcaster Margaret Pacsu, musician John Peter Lee Roberts, and music critic Paul Hume. Gould's personal views on animals (especially his affinity for skunks), his psychiatry, pacifism, and solitude are reflected on by family and friends.
From Wikipedia, the free encyclopedia. Glenn Herbert Gould (September 25, 1932 – October 4, 1982) was a Canadian pianist who became one of the best-known and most celebrated classical pianists of the 20th century. He was particularly renowned as an interpreter of the keyboard music of Johann Sebastian Bach. His playing was distinguished by remarkable technical proficiency and capacity to articulate the polyphonic texture of Bach’s music. Gould rejected most of the standard Romantic piano literature and shunned the music of several of its composers, notably Franz Liszt, Robert Schumann, and Frédéric Chopin. Although his recordings were dominated by Bach, Gould's oeuvre was diverse, including works by Beethoven, Mozart, Haydn, Brahms, pre-Baroque composers such as Jan Sweelinck, and such 20th-century composers as Paul Hindemith and Arnold Schoenberg. Gould was well known for various eccentricities, from his unorthodox musical interpretations and mannerisms at the keyboard to aspects of his lifestyle and personal behavior. He stopped giving concerts at the age of 31 to concentrate on studio recording and other projects. Gould was also known as a writer, composer, conductor, and broadcaster. He was a prolific contributor to musical journals, in which he discussed music theory and outlined his musical philosophy. His career as a composer was less distinguished; his output was minimal and many projects were left unfinished. There is evidence that, had he lived beyond 50, he intended to abandon the piano and devote the remainder of his career to conducting and other projects. As a broadcaster, Gould was prolific. His output ranged from television and radio broadcasts of studio performances to musique concrète radio documentaries about life in the Canadian wilderness. Description above from the Wikipedia article Glenn Gould, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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