Among the pieces featured in Fragments are the final reel of John Ford's The Village Blacksmith (1922) and a glimpse at Emil Jannings in The Way of All Flesh (1927), the only Oscar®-winning performance in a lost film. Fragments also features clips from such lost films as Cleopatra (1917), starring Theda Bara; The Miracle Man (1919), with Lon Chaney; He Comes Up Smiling (1918), starring Douglas Fairbanks; an early lost sound film, Gold Diggers of Broadway (1929), filmed in early Technicolor, and the only color footage of silent star Clara Bow, Red Hair (1928). The program is rounded out with interviews of film preservationists involved in identifying and restoring these films. Also featured is a new interview with Diana Serra Cary, best known as "Baby Peggy", one of the major American child stars of the silent era, who discusses one of the featured fragments, Darling of New York (1923).
As the first "blonde bombshell," Mae West reigned supreme and changed the nation's view of women, sex and race — on stage, in films, on radio and television.
George Raft (born George Ranft; September 26, 1895 – November 24, 1980) was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, today Raft is mostly known for his gangster roles in the original Scarface (1932), Each Dawn I Die (1939), and Billy Wilder's 1959 comedy Some Like It Hot, as a dancer in Bolero (1934), and a truck driver in They Drive by Night (1940). Description above from the Wikipedia article George Raft, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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