A modern fairy tale that combines fairy tale elements with contemporary realities and is also a film about film. The story takes place in a Barrandov studio. Nine-year-old Marushka reads a term paper at school about how she went on a field trip to the film studios with her class and how she met a "real" black priest, who was, however, terribly forgetful. She and her friend Honzik got their hands on his magic sphere, which made all sorts of incredible things happen...
Life in communist Czechoslovakia in the early 1950s and the punishments for going against the state.
At the beginning was the Slovak television series Lekár umierajúceho czasu (Doctor of Dying Time), dedicated to the Rudolphine-era scientist Jan Jesenius. He ended up on the scaffold along with other gentlemen after losing the anti-Habsburg uprising. When director Miloslav Luther conceived the idea of making an abridged version of the footage for cinema, he had to not only rebuild the storyline but also dub it into Czech. However, the result was only an illustrative puzzle, describing the various stages of the hero's turbulent life.
The director Ivan Balaďa was not allowed to finish this gloomy, black-and-white parable, inspired by Chekhov's short story Pavilion No. 6 - only after the fall of communism, more than twenty years later, did the film hit the cinema screens, unfortunately to negligible acclaim. In fact, it is only now that we can fully enjoy the story of an aging, increasingly exhausted mental institution doctor who is inexorably sinking to the level of his patients.
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