The fascinating story of a man destined to be only a son of and who sought all his life to become "someone" by getting rid of the overwhelming image of his genius as a father, the painter Pierre-Auguste Renoir.
Laurent is seeking a path in life after living his childhood and teenage years in laziness. He has a conflictual relationship with Rodolphe, his father, and both are too emotional to express their mutual affection. Despite the women of his life hanging around him , Rodolphe has but one obsession: meeting Marguerite again, the first love of his life.
Over the course of five seasons, this film chronicles a young woman's rise to power within a tempestuous all-female office. Employing elements of fantasy, realism, drama and satire, much of the story takes place in the confines of an oppressive looking steel and glass skyscraper owned by a powerful insurance company. Though the office is populated only by women, the place seethes with tension due to office politics and the personal turmoil suffered by the employees, something that the beautiful and outwardly ruthless office supervisor Carabosse does her best to ignore. When the ever business-like Carabosse finally gets promoted, she appoints Agate (the story's true protagonist) as her successor. Power corrupts and it does not take long for the compassionate Agate to transform into a copy of Carabosse.
An adolescent comes of age during a summer in the Rhône valley with his maternal grandparents. Jules seems a little too close to his mother and distant from his father, who wants Jules out of their Parisian house. It's to be a summer of transition, perhaps to a boarding school, and during these weeks in the country, Jules fishes with his grandfather; proves himself to the local youths, a group led by the bullying Red; takes on some tough guys; feels rejected by his mother; and, meets and pursues Evelyne, the village beauty. She's responsive, and Jules doesn't exactly know what to do next. Then, something happens that propels Jules into decisiveness and maturity.
Photographer Maurice Martin turns into a woman named Héloïse every night at 8 p.m.
The neglected daughter of an industrialist who made his fortune in explosives supplies during the war and of a mother who was mostly concerned with herself, Monique Lerbier is a pretty blonde with generous but strong ideas and a hard character. She has chosen to be an atheist since her adolescence and does not tolerate injustice and social hypocrisy. She was to be married to an engineer, Lucien Vigneret. It was an arranged marriage, the dowry having to allow Vigneret to enter the capital of his father's company, which needed it to finance its business. But two weeks before the wedding, Monique surprises the fiancé with a mistress.
The neglected daughter of an industrialist who made his fortune in explosives supplies during the war and of a mother who was mostly concerned with herself, Monique Lerbier is a pretty blonde with generous but strong ideas and a hard character. She has chosen to be an atheist since her adolescence and does not tolerate injustice and social hypocrisy. She was to be married to an engineer, Lucien Vigneret. It was an arranged marriage, the dowry having to allow Vigneret to enter the capital of his father's company, which needed it to finance its business. But two weeks before the wedding, Monique surprises the fiancé with a mistress.
Jean is a successful painter who leaves his mistress, though he stops intermittently to phone her with explanations. Sometimes she is responsive but other times hangs up on him. Meanwhile, a 16-year-old male prostitute with whom Jean had a brief homosexual affair stalks the painter.
Françoise Arnoul (born Françoise Annette Marie Mathilde Gautsch; 3 June 1931 – 20 July 2021) was a French actress, who achieved popularity during the 1950s.
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