THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
After witnessing a murder, a hapless pair of misfits escape their own near death experience by posing as male strippers - only to find themselves neck deep in even bigger trouble.
The three brothers, Akos, Tamas and Andras - known from the first part - try to get back their 60 million forints stolen by impostor Alex who ran away with the money and the girlfriend of the oldest brother.
Kata, in her 20s, loses her boyfriend and her job on the same day. She's been indulging in fantasies of a more thrilling romantic life, and the cold water of being alone and unemployed doesn't entirely dampen her imagination. She's egged on by three girlfriends who get together to talk about men and sex. Kata has possibilities: she meets David, a medical student; there's Tamás, a stranger on a train who might be good for a relationship and a job. There's also Miki, her brother who's had serious drug problems. Is fulfillment within her grasp?
Bruno, a bisexual but closeted young man lives in rural Hungary with his girlfriend Mari. Also on the scene is her homosexual brother Ringo. Mari doesn't know that when the boys go off to work together in the city they raise cash by turning tricks and burglarizing houses.
Sometime not too far in the future a revolution takes place in a certain country. A special dictatorship, the Smokers' Society. The changes of the revolution transform the structures of the society radically. On top of hierarchy stands the Doctor Prime Minister. The main characters live in this country that has its own laws. They have something in common: they do nothing.
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