A focused look at TRON: Legacy's production design, examining the importance of light, the work of director Joseph Kosinski, the ideas behind the story, the evolution of the film's special effects, the combination of practical and digital sets and effects, the unique aspects of the costumes, shooting in 3D, creating a young Jeff Bridges, and more.
A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.
Eric Barba is a visual effects supervisor for television, film, and commercial advertising. After studying at the Art Center College of Design, Barba began his career at Steven Spielberg's Amblin Imaging as a digital artist on SeaQuest 2032 and Sliders. In 1996, he joined Digital Domain as a digital artist on The Fifth Element before working his way to CG supervisor on Supernova and finally to visual effects supervisor for David Fincher's Zodiac. Barba earned a reputation for high-end visual effects, working closely with directors like Fincher and Joseph Kosinski on film and advertising projects and directing commercials for Nike, American Express, and Honda. He won the 81st Academy Awards for the film The Curious Case of Benjamin Button, in the Best Visual Effects category. He shared his Oscar with Craig Barron, Burt Dalton and Steve Preeg. In 2013, Barba was promoted to Chief Creative Office/Senior Visual Effects Supervisor at Digital Domain 3.0, the latest iteration of the visual effects studio. Barba continued to oversee the company's Los Angeles studio until leaving Digital Domain to operate as a freelance visual effects supervisor in 2015. Description above from the Wikipedia article Eric Barba, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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