Chief Inspector Armand Gamache and his team investigate a series of perplexing murders, in the seemingly idyllic village of Three Pines and uncover the buried secrets of its eccentric residents. In the process, Gamache is forced to confront buried secrets of his own. Based on the novels by Louise Penny.
Set within the fluidity of time, touch, realism and reverie. Some may call this magic realism. Based within Indigenous knowledge and way of life, this story allows two people to heal, through touch, calm, love and patience in a fantastical space that leaves the audience dreamlike and yet it is dangerous and violent, there is love.
The year is 2043. A military occupation controls disenfranchised cities in post-war North America. Children are property of the State. A desperate Cree woman joins an underground band of vigilantes to infiltrate a State children’s academy and get her daughter back. Night Raiders is a female-driven dystopian drama about resilience, courage and love.
The dead are coming back to life outside the isolated Mi'kmaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.
When Áila encounters a young Indigenous woman, barefoot and crying in the rain on the side of a busy street, she soon discovers that this young woman, Rosie, has just escaped a violent assault at the hands of her boyfriend. Áila decides to bring Rosie home with her and over the course of the evening, the two navigate the aftermath of this traumatic event.
Based on a true story, a powerful study of the dysfunction and disorder in the police and criminal justice systems that allowed a wily psychopath to murder nearly 50 marginalised women from Vancouver's Downtown Eastside.
When a Western movie star is forced to spend a PR weekend at a dude ranch, his fans are horrified to learn he's actually a city slicker who's afraid of horses and has never been west of the Hudson River.
Five Indigenous women filmmakers from across Canada challenge one another to make a film under a set of restrictions tailored to each filmmaker.
Bihttoš is an unconventional documentary that explores the complex relationship between a father and daughter. Through animation, re-enactments, and archival photos, writer/director Elle-Máijá Tailfeathers delves into the dissolution of her parents’ mythic love story and how it has colored her perception of love in her adult life.
Abandoned cars rest silently in fields for decades, still holding secret conversations within their bodies.
Elle-Máijá Tailfeathers, also known as Máijá Tailfeathers, is a Blackfoot and Sami actor, producer, filmmaker and curatorial assistant from the Kainai First Nation. She divides her time between Vancouver, Canada, the Blood Reserve and the Sapmi territory in Norway.
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