A documentary that collects for the first time and in an almost anthological way the historical repertoire of the Lindsay Kemp Company's shows, from the end of the 70s to the 90s. With footage from the Rai Teche and private archives, and an intimate and touching unpublished interview conducted by the director in her home in Livorno. The documentary is unique in its kind because it collects for the first time in an almost anthological way the repertoire of the shows of the glorious Lindsay Kemp Company from Salome to Flowers, from A Midsummer Night's Dream to Duende and Onnagata, up to the last show Kemp Dances. Lindsay Dances celebrates one of the most original, creative, and innovative artists in contemporary dance theatre. The documentary was nominated by Rai for the 72nd edition of the Prix Italia 2020.
Derek, in chronological order, records the work and life that stands at the foot of Derek Jarman's humour and spirit of being an artist. The filmmaker and actress, Isaac Julien and Tilda Swinton respectively, have produced and narrated a film on his life whereby the use of language is perpetuated to give some type of palpable meaning to British audiences alone, and to their own personal relationship with him.
In this short film written and directed by Alexis Bisticas, the audience sees through the eyes of a man in the woods, following the distant sound of a saxophone. In a single take, the fluid steadicam shot takes the viewer on a surreal and poetic journey, as the walker comes across everything from family picnics to men in bondage suits.
The Sisters of Perpetual Indulgence are an order of gay male 'nuns', founded in San Francisco in the late 1970s with a goal to "expiate all stigmatic guilt and promulgate universal joy". There are now thousands of nuns all over the world including 30 in Britain, some of whom we meet in Tom Stephan's short documentary, which follows the Sisters' work as active campaigners in the LGBT community.
Derek Jarman discusses his film and visual art work in this experimental conversation film.
In this revealing documentary, Ken McMullen creates an elegant portrait of artist and filmmaker Derek Jarman, based on an interview conducted by John Cartwright. The questions are unobtrusive, allowing Jarman to reflect on his major films. Despite the debilitating effects of serious illness, we see an artist with his inner vision unimpaired; still humorous, self effacing and disarmingly charming.
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
Michael Derek Elworthy Jarman (January 31, 1942 – February 19, 1994) was an English film director, stage designer, diarist, artist, gardener and author.
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