A lawyer with a deplorable habit; a sitter struggling with her disturbing new job; a childhood friend who's hiding something; a chef with an unspeakable desire; a psychologist haunted by a tow truck... In each segment, a normal person suffers extremely weird, disturbing and paradoxical situations. These situations may seem incredible, yet they happen.
The daring journey through Europe of two somewhat naive friends, Salvatore and Felice, fleeing a small town in Puglia, who find themselves catapulted to Rotterdam and then to Iceland. For the first time in their lives they will discover what it means to feel alive and happy. Through some mishap and with the help of the generous and extravagant Anke, they will overcome their fears and inhibitions. They will be overwhelmed by life, discovering the joy of existing and of experiencing and receiving affection and love in a strange triangle of relationships typical of a 'modern family', bizarre and reassuring at the same time.
Tommaso has just left his first wife but he will meet a new person who will change everything in his life.
Giulio, a young man from Sicily, arrives in Rome to trace back Aurora, his ex-girlfriend whom he cannot forget. He stays with a couple of family friends, Rosalia and Eugenio, who have lost their only son, Nello, of the same age as Giulio. The presence of Giulio in their house forces Rosalia and Eugenio to come out of their long period of mourning, but at the same time Giulio, realizing that he will probably never find Aurora, starts sinking into a depressive state fueled by drinks and drugs. Rosalia and Eugenio's efforts to get Giulio out of it are in vain and when Giulio finally meets Aurora by accident, things can only get worse.
The story revolves around Elisa, a young talented ballet dancer. After an unjust accusation at her school, she has to stop her studies. The events take her away from ballet but only for a short period of time.
A pacifist pest controller tries to catch the rat infesting a nuclear power plant.
"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.
Teenager Raphaela was born blind into a wealthy, material focused family. Her father escapes reality into an affair with his secretary while her mother reacts to the difficult situation in an over protective and possessive conduct towards her blind daughter.
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