After a head injury makes a dimwit stranger out Barbara's beloved Guille, she ceases to feel desire for him. Nearing 35, and longing for motherhood, she settles with a new partner, while the memory of lost love harrows her.
Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.
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