A young man who lives with his mother and has never known his father, heads off to look for him. He finds a cynical and Machiavellian man who works as a publisher in Paris. After he attempts to kill him, he finds filial love thanks to his uncle.
The story is one of an architect that has lost his inspiration and goes looking for those motivations that pushed him as a youngster to take up the profession. Inspiring him was the baroque movement and all of its artifices: the Guarini in Turin and the Borromini in Rome. The film’s central story ends up being the love story that develops between architecture, artistic inspiration and feelings.
She losses her sight. Once back among friends and family: blindness, isolation and a strange perception of the bodies around her. Rejection of this changes and an abrupt decision to put an end to it all. In the peacefulness of early morning, the terms of a new shared existence take shape.
Laurent comes to visit his father not far from Bethune. But his father, who lives a hermit's life deep in the woods, has only one thing on his mind : to do away with his six children in order to relieve them of the miseries of life. Welcomed at the Caboche farm where his brother Frederic works (Frederic advises him not to try to see their father), Laurent is delighted to see hardy 81 year old Alfred again. The gods are not far off, and, despite all, the pleasures of existence too.
A television director decides to use his own life and marriage as an inspiration for his latest project.
The encounter of a young doctor and a werewolf is the setting of unexpected results in another example of Eugène Green's taste for the fantastic.
By browsing this website, you accept our cookies policy.
