Brane Gruber

Overview

Known for
Acting
Gender
Other
Birthday
Sep 30, 1941 (83 years old)

Brane Gruber

Known For

In the Name of the People
0h 55m
TV Show 2020

In the Name of the People

Nika Owen is a trainee lawyer. A beginner in the world of law. And an initiator in life. Through the mysterious death of Inspector Novak, the unraveling of secrets is triggered, leading her down the path of learning what is really going on in society. Her career is at stake, her friendship, her love. —tvprofil

Perseverance
1h 40m
Movie 2017

Perseverance

The stories narrated by the film bring together individuals all over the world, spanning over sixty years and thus symbolically covering the approximate period of a single human life. Each of the stories is based on true accounts and events, summed up from newspaper articles, statements, and media announcements. Through internal monologues the collage makes up a whole which transcends any individual story.

The Little Ghost
1h 50m
Movie 2012

The Little Ghost

A Slovenian narrative film made out of the eponymous children's show.

A Real Man
0h 24m
Movie 2010

A Real Man

Marko is 40 years old and still lives with his mother. His life is settled between work and home. His colleague Ajda tries to approach him, but without success. Marko always returns to his mother, without whom he cannot manage. And when it already seems like he will never separate from his mom, she takes matters into her own hands. Will Marko finally grow up?

Passions
TV Show 2008

Passions

It's a Slovenian TV series that revolves around the intertwining lives of its characters, full of drama, romance, and unexpected twists. It follows the successes and failures of Gaber and Ištvan, who are celebrating their business ventures, while others like Penzl and Ana deal with personal and professional dilemmas. Gaber faces a kidnapping ordeal, Jaša is under surveillance by Lucija and Katja, and Pia learns a shocking secret about Mirza. The series keeps viewers hooked with its engaging plotlines and character dynamics.

Seeing Van Gogh
1h 22m
Movie 2008

Seeing Van Gogh

The film is a homage to beauty; beauty in a visual and aesthetic sense, but primarily spiritual beauty, the beauty that normally thrives best in concert with love if we let it breathe, that is; if we are prepared to accept it and share in it. The film is playful, it does not build on the bizarre, but on aesthetics, ethics and spirituality. She and He are in T(herapy), in their individual sessions the more introverted She and the extroverted He talk about and gradually uncover a particularly strong experience that in a way represents a turning in their emotional setback. We gradually realize that they do not have a problem accepting what has happened. She would just like to know where it happened, and He would like to see it all again.

The Sea at the Time of the Eclipse
1h 22m
Movie 2008

The Sea at the Time of the Eclipse

Val Sebald is an author who comes to the Island to retreat from life and land. There he lives among the islanders and his favorite women, the heroines of various maritime novels. His relations with actual women from his past are reduced to messages in bottles that he ceremonially throws into the water. Val brings the real and imaginary people together into a place he is comfortable with, while his real life also becomes more and more one with the sea and the underwater world.

Triangle
1h 24m
Movie 1991

Triangle

The story is told through different points of view. A woman loves everything green, her husband loves his car, a magician knows the secrets of the stars, a professor knows everything about sound and a cyclist solves a difficult problem. A surreal travel through time and space.

The Cartier Operation
1h 30m
Movie 1991

The Cartier Operation

An immigrant worker from Bosnia falls in love with the actress Nastassia Kinski. To be able to approach her, he has to become famous himself. That's why he sets off on a journey to fame in a black comedy with a twist in its tale.

Café Astoria
1h 40m
Movie 1989

Café Astoria

The city of Maribor before the Second World War, and Maribor after its liberation mark the period in which the film Cafe Astoria is set. The story relates with a gentle melancholy and a slight irony the lives of a middle-class family: the cafe owner, his wife and their son. Through their individual destinies we become acquainted with the social and historical background of a by-gone era; the social and national differences of pre-war Maribor, divisions among the wealthy and poor, and nationally minded Slovenes and fanatic Germanophils. The first year after the war introduced the absurd characteristic cruel measures of the so-called revolutionary social transformations in which calamity and coincidence intervene, resulting in events of comic nature, of course, as seen from a safe distance of fifty years.

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