Comprised by two love stories: The first story features Donnie Yen as a traffic cop, “Mr. Cool” who never smiles due to a rare disease. He meets and falls in love with Michelle Chen, a patient with amnesia, and spends most of her time looking for her missing fiancé. The second story features Zhendong Ke as a Criminal Intelligence Bureau cop who falls in love with Angela Baby after a 7-day "game of romantic" with her. But when his bureau starts monitoring her, he begins to have doubt on her. Is she a criminal?
Lee Lap Cheung is a immature slacker who is going nowhere. His ex-wife Yip Ting has become a powerful woman in the business world within a few years. Cheung in a moment of anger requests Yip Ting to allow him and his son Jason to spend some time together. Jason is an free, innocent and lovable child. Although he is a child, he is quite righteous. Under his influence, Cheung finally changes for the better to become someone with a true sense of responsibility...
Sing finds Michael "Dagger" Chan in order to become Ko Chun's next disciple, but the two must put aside their differences when they discover that a gang boss is bent on ruining the God of Gamblers' name.
Theater enthusiast Sun (Anthony Chan) is so passionate about drama that he sells his home to stage Romeo and Juliet. The plays turns out to be a complete failure however - and is the last straw for his wife (Anita Mui), who quietly leaves him. Marriage isn't working out too well for his friend Wa (Kenny Bee) either: Fed up with a husband who spends too much time at work and not enough at home, Wa's wife (Pat Ha) suddenly leaves. Things finally look up for Sun when he produces a popular play starring rich girl Hung (Cherie Chung) and the two begin dating. But it turns out Wa also has his eyes on Hung...
Bosco Lam Hing-Lung (renamed Bosco Lam Tsz-Ho in 2005), born in Hong Kong in 1962, is originally from Chaozhou, Guangdong. After studying in Canada, he returned to Hong Kong in 1984 to work in the film industry and advertising industry. Starting from the scene, he was promoted to the second deputy director after three films, and a year later he was promoted to the first deputy director. Another year later, he became the executive director of many Hong Kong-produced films.
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