Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.
Passionate about the magic of cinema and historically imposed on a place of invisibility, prejudices and stereotypes, how can women challenge, break with oppression, look after precious archives, play remarkable characters, produce and direct successful films? The documentary illuminates the trajectories of dreams, challenges and victories of talented Brazilian women in our audiovisual sector.
The film chronicles both the life and work of Brazilian author and engineer Euclides da Cunha and a failed attempt at directing his biopic in the 1980s and 1990s. Footage from the unfinished film is included alongside archive and documentary material.
Jose Inocencio had innocence only as part of his name, but only those who new him well could notice this. But nobody knew him. He was a storyteller, and he was always the main character in the stories he told. He managed not only to create stories about himself, he managed to create a legend. The story of this powerful cacao farmer; Maria Santa, the beloved wife who died; and their four children is the main theme of 'Renascer'.
Six episodes set in and focusing on the history of Brasília, the capital of Brazil. Episode list: A Paisagem Natural (dir. Vladimir Carvalho), O Sinal da Cruz (dir. Pedro Jorge de Castro), A Volta de Chico Candango (dir. Roberto Pires), Além do Cinema do Além (dir. Pedro Anísio), Suíte Brasília (dir. Moacir de Oliveira) and A Capital dos Brasis (dir. Geraldo Moraes).
Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.
Loosely based on an Oswald de Andrade screenplay, "Perigo Negro" is a segment of anthology film "Oswaldianas" which deals with a uprising soccer player who has his career spoiled by a unscrupulous gambler
Maria Eduarda "Duda" Pinheiro is a successful top model. After being hired to model Covery brand clothes, she meets the Kundera brothers, Alex and Gaspar, owners of the company. Gaspar, a former beatnik, is over 40 but still practices surfing, lives in a beach-side house and raises five children: Elvis (named after Elvis Presley), Ringo (Starr), Jane (Fonda), Olívia (Newton-John) and (John) Lennon, all from different mothers who left them with him. Anastácia "Naná" Passos, Duda's friend and mentor, loves him platonically, and rivalizes with Mariza Borges over him. Alex by contrast is a yuppie. He and their mother Morgana have a love-hate relationship and rivalry with his brother over Morgana's attention and the company. Alex begins to love Duda, however she falls in love with Lucas, a graffiti artist who is on the run from the São Paulo police due to his involvement in a crime there. He is also searching for his real father, and thinks it's either Alex or Gaspar.
Ana Maria Portinho Magalhães (Rio de Janeiro, January 21, 1950) is a Brazilian actress, film director, film producer and screenwriter.
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