Mohsen (Reza Attaran) returns home after shopping and realizes that the furniture on which Omid (Amir Jafari) is sitting is perforated and blames Omid. Mahshid (Rima Raminfar), Mohsen’s wife, is very interested in this sofa and she Mohsen and Omid are making every effort to solve this problem, but…
A Soldier "Khanjari" (played by Ahmad Mehranfar) who had come to Tehran from the north and was serving his military service at the police station of 100 Mellat. One of the accused who was brought to the police station was a young lady named Elizabeth who had a dog named Lucy. Dagger falls in love with Elizabeth and when he finds out that Elizabeth's dog has been impounded, he mistakenly takes a dog instead of Lucy and gives it to Elizabeth. Elizabeth, who realizes that the dog is not hers, leaves the park under the pretext of parking her car in order not to upset Daggeri.
It narrates the life of a 40-year-old female doctor who is skilled and specialized in her field, but has problems in the field of marriage and choosing a spouse.
Reza is an artist who dreams of traveling to Cannes and meeting the gratest living figures of cinema. He travels to Paris to meet Steven Spielberg and Woody Allen and give his screenplay to them. In the end, Reza who has lost his money because of a fellow countryman, without meeting Spielberg, awaits in a corner of Cannes dreaming he's returning to Iran.
Zary comes to Tehran to help her family. However, premarital conditions have made stories for them.
A young smart engineer has made many designs for the big car factories but no one pay attention to him and his designs. For getting their attention he begins a dangerous game which leads him to face many troubles and taking hostages
Mr. Tehrani want to marry his son but he doesn't like marriage and it starts so many problems
Amir Nouri is an actor who was born in 1986 in Tehran, Iran. He started his career in cinema and starred in the “Money” movie by Fereydoun Hassanpour in 1998. From his notable activities, “Merajiha” and “Ekhrajiha 2” by Masoud Deh Namaki and the “Tambourine” directed by Parisa Bakhtavar can be named.
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